MARATTO

book · Cambridge University Press eBooks

Heritage and Transformation of an African Popular Music

Abstract

Modern popular music is closely linked to the 'traditional' heritage – intangible and material – of which artist-musicians have, in a way, usufruct. This Element examines the relationship between (cultural) heritage and the transformation of popular music in Côte d'Ivoire. It views heritage from a dynamic and innovative perspective as a constantly evolving reality, informed by a multitude of encounters, both local and global. It frees itself from the sectoralization and disciplinary impermeability of the sector – in places of music performance to understand how the artistic-musical heritage is transmitted, imagined and managed and the complex process of transformation of popular music in which it registers. It appears that heritage, far from being frozen in time, is rather activated, deactivated and reactivated according to the creative imagination. In addition, the work highlights a minor aspect of the heritage subsumed in popular intellectuality at work in popular music.

Research topics

  • Cultural Identity and Heritage
  • Diverse Musicological Studies
  • Music History and Culture

Sustainable Development Goals

Read the original research

This page summarises published work. The authoritative version sits with the publisher.

DOI: 10.1017/9781009469159

Is something wrong with this record? Report it or request removal.

Discussion

Discuss this research

Have you built on this work, tried to replicate it, or seen it applied in practice? Share what you know. Verified researchers and MARATTO™ domain experts can open a discussion, and any member can reply. Contributions are reviewed before they appear.

No discussion yet. Open the first thread.